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Papibois

AÏDA de Verdi : Chœurs Partie 10/10 Acte 4 : Finale ultimo

Papibois

3:33	Est. Play Time
61	Measures
	1,036Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99%
		33	27	8	5	96%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	37	9	9	99%
		33	27	8	5	96%
Aïda		15	0	2	9	70%
Radamès		14	0	2	9	62%
Prêtres Bas		9	4	2	9	48%
Prêtresses Sop		11	5	3	9	48%
Prêtres Ten		10	6	2	9	41%
Amnéris		7	0	1	6	18%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? » SOPRANO 2

Papibois

4:12	Est. Play Time
127	Measures
	1,330Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

Va pensiero BASSE

Papibois

4:11	Est. Play Time
51	Measures
	1,614Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100%
		26	18	9	8	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100%
		26	18	9	8	100%
A		12	0	2	7	78%
B		12	0	1	7	78%
S		13	0	2	7	78%
T		13	0	2	7	78%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? »

Papibois

4:12	Est. Play Time
127	Measures
	1,324Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

TRAVIATA de Verdi : Chœurs Partie 8/10 Acte 2 Ne appellaste

Papibois

0:32	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		6	3	1	3	100%
		20	10	8	8	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		6	3	1	3	100%
		20	10	8	8	100%
Bass		6	0	1	4	37%
Sop		6	0	1	4	37%
Tenor		6	0	1	4	37%

FAUST de Gounod : Choeurs Partie 6/14 Quand du Seigneur le jour luira

Papibois

3:36	Est. Play Time
75	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		44	53	21	8	99%
		30	53	16	8	93%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		44	53	21	8	99%
		30	53	16	8	93%
Ten 2		9	0	4	5	67%
Ten I		9	0	4	5	67%
Sop 2		11	0	5	5	65%
Sop I		10	0	5	5	65%
Voice		28	0	10	7	59%
Basse		7	0	2	3	41%

Va pensiero TENOR

Papibois

4:11	Est. Play Time
51	Measures
	1,614Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100%
		26	18	9	8	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100%
		26	18	9	8	100%
A		12	0	2	7	78%
B		12	0	1	7	78%
S		13	0	2	7	78%
T		13	0	2	7	78%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 12/16 Acte 2 : Coro Scena 4 « Saria possibile ? »

Papibois

4:12	Est. Play Time
127	Measures
	1,324Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	41	11	4	98%
		30	70	9	8	99%
Gianetta		15	0	3	8	72%
Soprano 2		13	0	3	7	61%
Soprano 1		12	0	2	8	59%

RIGOLETTO de Verdi : Chœurs Partie 4/6 Acte 2 «Scorrendo uniti remota via » - TENOR 1

Papibois

2:32	Est. Play Time
70	Measures
	1,452Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	65	10	8	100%
		26	49	5	5	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	65	10	8	100%
		26	49	5	5	100%
Basse 1		18	0	4	7	87%
Basse 2		17	0	3	7	87%
Marullo		16	0	4	7	87%
Ténor 1		19	0	5	8	87%
Ténor 2		15	0	4	7	87%
Duc		6	0	1	5	23%

Va pensiero

Papibois

4:11	Est. Play Time
51	Measures
	1,611Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100%
		26	18	9	8	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	21	12	8	100%
		26	18	9	8	100%
A		12	0	2	7	78%
B		12	0	1	7	78%
S		13	0	2	7	78%
T		13	0	2	7	78%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 10/11 N°21 Chœur et couplets de Pâris. BASSE 2

Papibois

3:37	Est. Play Time
153	Measures
	1,768Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		31	28	10	9	100%
		24	57	11	9	99%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		31	28	10	9	100%
		24	57	11	9	99%
Soli ténor		16	13	6	9	47%
Basse 1		14	0	2	8	46%
Basse 2		13	0	1	8	46%
Soprano 1		13	0	2	8	46%
Soprano 2		11	0	2	8	46%
Ténor 1		12	1	1	8	46%
Ténor 2		12	1	2	8	46%
Soli basse		6	2	1	6	23%
Soli soprano		12	7	2	7	23%

FAUST de Gounod : Choeur Partie 3/14 Choral des épées-TENOR 2

Papibois

1:45	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	45	12	7	98%
		32	40	12	6	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	45	12	7	98%
		32	40	12	6	98%
Valentin		16	0	6	9	97%
Bas 1		14	0	3	8	70%
Bas 2		15	0	4	8	70%
SIEBEL		14	0	4	9	70%
Tenor 1		15	0	5	9	70%
Tenor 2		15	0	5	8	70%
WAGNER		15	0	4	8	70%

FAUST de Gounod : Choeur Partie 3/14 Choral des épées

Papibois

1:45	Est. Play Time
37	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	45	12	7	98%
		32	40	12	6	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	45	12	7	98%
		32	40	12	6	98%
Valentin		16	0	6	9	97%
Bas 1		14	0	3	8	70%
Bas 2		15	0	4	8	70%
SIEBEL		14	0	4	9	70%
Tenor 1		15	0	5	9	70%
Tenor 2		15	0	5	8	70%
WAGNER		15	0	4	8	70%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - SOPRANO 2

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

FAUST de Gounod : Choeurs Partie 14/14 Apothéose - BASSE 2

Papibois

1:57	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	49	3	10	98%
		20	29	0	8	97%
Basse 1		6	0	1	7	57%
Basse 2		7	0	0	7	57%
Soprano 1		8	0	0	7	57%
Soprano 2		8	0	1	7	57%
Tenor 1		7	0	0	7	57%
Tenor 2		6	0	0	7	57%

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